Full step by step instructions and FREE PDF download at the end
Powertex is a liquid fabric hardener that comes in a great many other products that can be mixed with it to create all manner of wonderful garden ornaments that are actually weatherproof. There are also many lovely colours to choose from, or one could use the Transparent to bring out the natural colours in the fabrics. (Transparent though, does require a coat of varnish to make it weatherproof). Check out the website for a list of qualified Powertex Tutors in your area and some fantastic blogs from other tutors. www.powertex.co.uk
With Powertex virtually ANYTHING IS POSSIBLE. Here are some examples I have created over the past few months. Fairy Houses, Statues for the garden and one of my canvases. I love recycling and making things up as I go along. The magic of creativity is so healing.
1. I used the Stone Art powder to create a lovely air drying clay. 2. On my examples I used the Transparent Powertex. 3. I poured a little of the Transparent Powertex into a plastic container then added a little of the Stone Art powder and stirred it in. I continued to add a little at a time and stirred it in until I had a nice firm clay that did not stick to the sides. 4. Like with dough making I laid it on a tile and continued to knead it. One could also use the Ivory Powertex or and other colour if required.
6. I took a little lump of my ‘Powertex Clay’ and flattened it out in my hands. 7. I laid it over the front of the fork and pressed it down evenly before turning the fork over. It is easy to use far to much clay but it doesn’t matter bits can be taken away or added. As you can see in 8. I added a little to fill the gap. It is important to remember to wrap your clay in cling film. It will last for about a week, sometimes longer.
9. There are several ways to create lovely deep impressions in the clay. I am a polymer clay artist of many years and have lots of texture sheets and moulds to hand that I have collected over the time. 10. A knitting needle is one of my favourite tools for creating further folds and indents. The clay does shrink after drying so it is important to create really nice deep patterns. 11. I covered the whole cutlery set and allowed the clay to dry out for a few hours. 12. For the brown set I coated the utensils with Bronze Powertex and allowed it to dry for a while. Sometimes a use a hair dryer to speed up the process.
13. Powertex Colour Pigments are wonderful with an array of beautiful colours. 14. The powder can be blended with Powertex Easy Varnish which also makes the surface water resistant after drying. 15. To highlight the pattern on the Brown cutlery set I used the Mocca Pigment. 15. I mixed the powder with the varnish to form a paint then removed most of the colour on a paper towel. 16. I painted gently over the surface to highlight the raised parts of the pattern.
17. I picked all the rainbow colours for the coloured set. 18. As you can see in the photo I mixed the colours up in the same way as for the brown cutlery set and painted them on to the surface. This time though I did not remove the colour but painted it straight on so that it went into all the grooves. 19. I coated the surface with Easy Varnish . 20. & 21. I used Ivory Powertex to dry brush the surface.
CREATING JEWELLERY OUT OF POWERTEX
I have collected numerous handy tools over the years. I am a Polymer Clay Artist and love texture. Powertex Stone Art Clay also loves texture! A. Are texture sheets I already had along with pendants created using them. B. Are 2 texture sheets available from www.powertex.co.uk. With a pendant created using one of them. C. A pack of semi precious stone chips. Great to add as embellishments. D. Shows paints created using Powertex Transparent and the colour pigments. In this case I used the Green and the Turquoise (my favourite colour.) and mixed them with Transparent Powertex. The shot glasses are ideal for small amounts. Do remember to cover them with cling film in between and the colours will remain fluid for quite some time. I also used a glass nugget, Bronze colour pigment and a simple pendant bale.
20. I used a paintbrush to dab green and turquoise Powertex Paint on to the glass nugget. I used a knitting needle to create little spaces between the colours if they had merged together. 21. 22. Whilst the back was still moist I laid the nugget face upwards in the powder. 23. Stone Art Clay, nugget and bale.
24. Clay laid around the nugget. 25. I attached the bale to the back and added a small blob of clay then turned it all over. 26. The pendant was laid on to a texture pad so that the back also had texture. 27. I pressed another texture sheet over the top to create a pattern all round then left it to dry.
28. Once the clay was nice and dry I removed the pendant from the pad and painted the border with Bronze Powertex and again left it to dry. 29. Finally as a finishing touch, I mixed some Copper Colour Pigment with Easy Varnish and dry brushed it over the surface. One can also use gilding wax or any colours of your choice. Experiment!
Here are some examples of my experiments. To prevent the Powertex Stone Art Clay from distorting whilst it dries, I have inserted a small sheet of plastic cut into the shape of the pendant I wish to create. The plastic also has an advantage that it can be painted as with the glass nuggets. Alternatively one could stick coloured Powertex Stone Art Clay to the back.
30. For this particular pendant I used the corner of a plastic container which was conveniently curved to give the pendant an interesting shape. 31. I have used ultra fine glitter for this project. 32. I flattened a little blue clay then sprinkled the glitter on it before securing it to the back of the plastic. 33. I found that using scissors to trim the edge was an easy way to secure a neat edge.
34. I wanted to bulk the back out as well to give the pendant more weight so I pressed it on leaving a little overlapping. 36. The clay is so easy to manipulate so I eased into place. 37. As with the last pendant I attached the pendant bale and turned it over and laid it on a texture sheet.
38. I wished to give this one a sort of lace effect so added a few little sausage shapes then pressed a texture sheet on the top. 39. I used my knitting needle to create grooves and push the clay around a little. 40. Once dried I used the gold Colour Pigment and painted it over the surface. The last pendant was created using a pyramid shaped piece of plastic where I removed the top. The glass eye I had ordered from EBay. After it had dried I painted it with blue Colour Pigment then dry brushed it with copper and gold.
Learn how to make Magical Mirrors with ‘POWERTEX’
Designed by Birdy Heywood
.A LITTLE ABOUT POWERTEX
Powertex is an environmentally, water based fabric hardener and comes in a great range of colours. if using natural fabrics that completely absorb it, after 3 weeks it is entirely weatherproof. The Transparent however is not weatherproof unless varnished afterwards with Powertex Easy Varnish. Powertex is more than just a fabric hardener as it comes with a great range of related products. Textures, colour pigments, moulds, Stone Art Clay, Fibres, Bister (A water based product that sprayed on to a canvas gives amazing effects) Check out the website for a list of trained tutors in your area. www.powertex.co.uk
I have been working with Polymer Clay for over 30 years and I wondered what it would be like to create similar things out of Stone Art Clay. In 1. you can see all the lovely colours I mixed in readiness and also the little flowers made from the Powertex Daisy Mould. 2. Shows my little tubs of rainbow colours. The paints were made by mixing Transparent Powertex with some of the Colour Pigments. If you would like the shades to be more pastel then mix in a little Ivory Powertex to lighten it up. When mixed cover with cling film and the colours will last for quite a few days. The little plastic shot glasses can be washed out afterwards to use again. I will explain next how the Stone Art Clay was created.
Creating the Coloured Clay
To mix a nice green shade I used a little plastic container that once contained a tasty strawberry mousse. Powertex does not stick to plastic so it can be washed out and used again. I mixed Yellow Ochre Powertex with an equal amount of Green Powertex. I added a little Stone Art powder and stirred. Then kept adding a little more and stirred it in.
I kept adding the Stone Art a little at a time until the mixture was nice and firm and came away easily from the sides. Next just like when making bread dough, I sprinkled a little of the powder on to a ceramic tile then added the clump of mixed clay. Then I kneaded it until it was no longer sticky adding a little of the powder when needed.
14. Like a responsible ‘recycler’ I washed the tile, the spoon and the container. 15. Shows how I created a little lilac daisy. I placed a tiny ball of yellow clay in the centre of the daisy mould. The Lilac Clay was created by mixing a little Lilac Colour Pigment with Transparent Powertex before adding the Stone Art Clay. I just pressed it firmly on top of the yellow and hey presto, a beautiful daisy! With some of the clay I added Ivory Powertex to create a lighter colour. Experiment! Remember to wrap the clay in cling film and it will remain pliable for quite some time.
Some of the little flowers I created using the daisy mould and Bramble Leaf Veiner.
Flexible Texture Sheets used for the mirrors. Available from www.clayground.co.uk Daisy and daisy leaf mould available from www.powertex.co.uk. Bramble Leaf Veiner available from www.sugarcity.co.uk
Just a little bit more info before we get started on decorating the first mirror tile.
This is rather a funny story really, but true. When I was chosen to be on the Powertex UK Design team this year, there were these sheets of sort of soft cottony stuff in with my samples. I recognised it as a material I had used ages ago with a different fabric hardener and had found very useful. I wanted to use them on my mirrors so I asked Tracey Evans of Powertex UK Headquarters where I could find more. She answered that it was just the packaging but thought it might be clinical swabs. Well I got the proof a couple of weeks later when I had quite a bit of it plastered to my face after an operation on my sinuses. Great stuff and I will be using it in future projects too. Not a very flattering photo of me though.
Now the exciting part begins! 26. Shows how I bent a length of gardening wire so that it had a loop on each end. 26. I also cut out two lengths of t-shirt material. 27. I used jute for the back of the mirror because it is really absorbent. Besides I was given quite a quantity of it. I laid the mirror tile on top of the jute then cut around it so that about an inch protruded on the sides. I must also add that most of the project can be created in a seated position. Also no need to dip large bits of fabric into the hardener as I designed this project so that I didn’t have to stand for any length of time.
28. Using a paintbrush I painted a generous layer over the whole of the back of the mirror. 29. As I mentioned, jute is really absorbent so it was easy to paint a little more over the surface to bond with the Powertex on the back of the mirror. Ooops, nearly forgot…..I used Ivory Powertex. 30. I used a hair dryer to dry the back slightly before using a pair of scissors to trim the jute so that it was flush with the edge of the mirror.
31. I fixed the wire to the back of the mirror ensuring the strips of t-shirt material were well saturated with the Powertex. Now it was time to use the clinical swabs from picture 24. They were so easy to attach to the back of the mirror just using the paintbrush and Powertex. One could use ordinary material but that would require dipping it into the Powertex so that it was entirely saturated. I don’t get messy if I don’t have to! I applied each folded sheet so that it overlapped by about 1 ½ inches. Next I used a hair dryer to dry the edges then laid a plastic bag over the wire hanger so that I could turn the mirror over.
34. I turned the mirror over and used a paintbrush to coat a layer of Ivory Powertex directly on to the top of the mirror. 35. After I had folded it over I added another thin coating of Powertex. You will be surprised at just how easy it is using these absorbent sheets! I repeated the procedure all the way around until all the sheets were neatly adhered to the mirror.
37. As you can see I wasn’t too careful to get it all even. I like to have wet wipes handy to clean up the over painted bits and paper towel to dry it. Much easier to keep it clean as you proceed. 38. Some Stone Art Clay I had mixed earlier. I used Ivory and a dash of Transparent Powertex. This was to be grass so I laid it on quite thickly leaving little lumps and bumps. 39. A wire brush is great for creating texture! (You could also use Green Clay instead.)
40. This is where the ‘Paint’ I had mixed earlier came in. It was made with Transparent Powertex and Green Colour Pigment. 41. After I had coated it all I used the hair dryer to dry the surface, then very gently, with a wet wipe stroked over the top to remove a little of the surface colour. Then I dried it again before pinching here and there with my fingers to give the grass even more texture. This works well at this stage because the clay will still be soft enough to manipulate.
43. For the blue clay to adhere to the mirror I coated a layer all the way round. If halfway through adding the blue you find it has dried out, you can always add a little more. 45. I love this shade of blue. I created it with Blue Powertex and also Ivory and Stone Art Clay. If you do not have Blue Powertex then use the colour Pigments instead. The Clay is wonderful for just spreading it out with your fingers. I created a long sausage shape laid it slightly over where the wet Ivory had been painted and pressed the inside down first to create a nice, neat contour. Once stuck down I just pushed the clay towards the edge.
46. I gently manipulated the blue clay and coaxed it to the edge adding more when needed. 47. Next I chose one of my texture sheets and pressed it firmly all over. 48. I covered the top with the blue and chose a different texture sheet and did the same. (I love these texture sheets because they are flexible and can be pressed over the curved bits.) When I later dry brushed Ivory Powertex over the surface the patterns really showed up.
49. I chose another different sheet for my final side. 50. It doesn't show up too well but I also created some brown clay using The Stone Art, Ivory and Bronze Powertex. I the formed some long, thin, sausage shapes for the tree trunk. I must apologise for the bad quality of some of the photos but it isn’t easy to create and take photos in between. 51. I added some Transparent Powertex so that the tree had something to adhere to.
52. This whole project was an experiment for me so I tried creating little roots at the base of the tree. I didn’t like them so later covered them over as you will see in photo 57. This is where things really started to come alive! 53. Using a small paintbrush I painted Bronze Powertex all over the tree, making sure it went into all the grooves. 54. I allowed it to soak in for a bit, so had a cup of coffee! Well a girl does need a break sometimes! Wet wipes are handy things and here was a good use for them. I very gently rubbed over the surface to remove the colour from the protruding bits. Later I dry brushed it with Ivory Powertex.
55. I have no idea where the little drinking straw came from which ‘just happened’ to be on my table (probably the fairies) so I used it to create some lovely texture on the blobs of green clay which I had added. As with the grass at the base I gave it a coating of the green paint. Photo 56. shows how it looked after I had dry brushed it with Ivory Powertex. 58. I still had a little of the plain clay left so formed it into a rainbow shape, stamped it with a texture sheet then painted on the colours with a paintbrush. This was then adhered to the mirror using the Transparent Powertex.
59. Once I had added the rainbow I realised it looked a bit lost and didn't reach the edges. Instead of removing it and creating a bigger one I decided to add a little more foliage to the corner instead. I think you will agree, it looked better like that.
61. It now just needed a finishing touch to the top. Instructions for using this Magic Mirror. You see if you follow the instructions a smiling face will appear! Look how great the dry brushed areas look! For those of you who do not know what dry brushing is: Place your brush into some Ivory Powertex then remove most of it on a paper towel and I mean MOST of it. Then lightly stroke over the raised areas. This will give your creation fantastic depth.
62. All the little flowers I had created using the daisy and leaf mould from www.powertex.co.uk were added using the Transparent Powertex. This mirror just seemed to evolve as I discovered more and more about the properties of the Stone Art Clay and mixing the colours. That is what it is all about, having fun and experimenting.
Just a little about the two other mirrors
With both of these I began the same way. Stuck jute to the back then the hanger. With the stone mirror, I create some bronze Stone Art Clay and stuck it to the mirror using the Transparent Powertex. With a paintbrush I added more bronze and pushed the swab sheets in position leaving them wavy in places. I haven’t any photos of adding the Stone Art Powder but will cover that in a later blog when I work with the lovely ammonite moulds again. (These are available from www.powertex.co.uk)
Some close ups of the lovely stone effect. This is great fun to do and it really does resemble stones and rocks.
I call this one my fancy mirror. I used the Texture sheets for this and had great fun doing so. This time though I applied coloured Bister with a paintbrush (another Powertex product) After I had applied the colour I varnished the whole thing.
I hope you enjoy the projects, Check out the other blogs on the Powertex website. Loads of inspiration and examples of how to create some really exciting projects.
As a member of the Powertex Design Team 2017 we were asked to pick 4 subjects to cover for our blogs. One option I chose was ‘something in the style of an artist I admire.’
There are many, but 2 artists appeal to me the most. Those are both Gaudi and Dali. Probably because my own style is more surrealistic rather than realistic. I love all things organic. Gaudi’s art simply oozes with a connection to growth, movement and to the earth itself.
Creating helps me to bring to the fore, my deepest feelings. Some are happy and others are more thought provoking, both allow me to release them and set me free.
Art is all about expression. I see it as a language. A language that can be interpreted in several ways according to the person who creates it and those who observe it.
Gaudi’s buildings grow out of the landscape as if they had been there for hundreds of years.
Dali, well I just love his work too. He dared to leave reality
behind and express himself in the most peculiar of ways.
Now to my own particular work of art
First of all I want to tell you how this came about.
Many years ago, an ex partner of mine was jealous that he had not been part of my past.
He showed dislike for my much treasured paintings and drawings dating back from the time when I was a teenager.
I dreamed then of becoming and artist. Stupidly, as a token of my affection,
I made a fire and threw all of my paintings and sketches on it to be consumed by the flames.
,This picture is the only one that survived. I sketched it with a ball point pen on a scrap of paper when I was 13 years old whist on a visit to Germany. A relative scanned it and sent it to me a few years ago. Seeing it again caused many emotions to resurface. Not a bad thing as you will later see.
Teenage years as we know, are difficult. As a victim of abuse when I was seven, I often felt trapped, dirty and useless. Drawing helped me to express myself and I drew many such heads growing out of the ground. Heads with no arms, no bodies. The surrounding landscape was hostile and barren. Somehow these bodiless heads had survived, silently observing the destruction of what had once been a beautiful world. My family called me ‘weird.’
I see now that what I was expressing, was that feeling of being helpless and trapped.
As I took this idea further my POWERTEX Creation released me.
Dali created, heads growing out of the ground, strange creatures with long spindly legs, melting clocks that defied space and time. Gaudi erected the strangest but also the most beautiful of buildings, each with a life of its own and a message with each of them.
I decided to use my strange bodiless heads from childhood to set me free.
One of the heads had to break free and I felt it was to be me.
I knew that with Powertex this would be possible, more effective and enjoyable than just a drawing. Besides, each month all Powertex Trainers have a challenge set. This is just for enjoyment so no pressure. During the month where a ‘Collage’ was the subject, I decided it was my chance to tackle the subject of letting go.
As with everything created from the heart and deep subconscious, I was very emotionally charged.
Apart from the heads themselves which I created out of polymer clay using my own moulds, the rest of the creation was made using only Powertex products.
The heads trapped on the ground were rooted on the rocks. I created the rocks using natural fabric soaked in Bronze Powertex. The background was created using Easy 3D Flex. This is great as it cracks whilst drying revealing crevices. I created the heads out of polymer clay
I used an old t-shirt for the rocks, then when dried I used lighter colours and
dry brushed it to bring out the texture. (More on dry brushing later.)
Easy 3D Flex is great for creating the texture of the dry, cracked, earth
Gaudi’s style influence me whilst creating the rocks with strange shapes. For these I used torn up egg cartons. The foliage was created using Paper Dec and the little berries using Sand and Balls. Both Powertex products. I used Powertex Hardener Green for the foliage and Bronze Hardener for the rocks.
I love the texture of egg cartons. Hah, Hah, little things please little minds
and I am easy to please.
I mixed a tiny bit of Bronze Powertex with some Ivory to create a clay like shade
then added Stone Art to create a clay that I could form. With this I created little rock formations.
All products are available to order from www.powertex.co.uk
Once I have finished a canvas using the Powertex
I find such wonderful textures to play with in a photo editing programme called Picassa.
Anything is possible
CREATE YOUR DREAM
Well here I am again with my second post....gradually getting the hang of this. So a little more about my Powertex Journey!
As most crafters, I see things and think, "Oh I wonder if I could use that?" The result is a vast accumulation of what I can only refer to as "THINGS." For instance, nice bits of lace, interesting shapes and moulds, glass bottles and jars, egg boxes, cardboard boxes, candle holders, broken or chipped china........oh the list goes on.
It was looking at my plastic milk containers that I "saw" A Fairy House! Not just any fairy house but one with an open door and leaded windows. I suffer from claustrophobia, so I hate closed doors and windows and even in winter sleep with the window open. I am sure Fairies also like to be able to come and go as they please. "Hmmm" I thought looking at the egg boxes which had now grown into a huge pile. Torn up cardboard with such a lovely texture, would make excellent brickwork.
So I set to work and 3 days later the little house looked like this.
I took photos of each stage and am now working on a step by step for you to follow. The house isn't actually finished yet, as the fairies, (they chattered continually in my little studio making suggestions) Well they have asked me to build them a grass mound with steps leading up to the house. Fussy Fairies! I love them though.
For all your Powertex products visit their website. www.powertex.co.uk
I have been chosen to be on the Powertex Design team along with 5 other certified trainers. All of us have different styles so please visit their blogs too.
http://creativeadventurer.co.uk/ Annette Smyth
http://www.artisticretreats.co.uk/ Liz Dixon
https://rosehartstudio.blogspot.co.uk/ Anna Amelia Howlett
We are all getting our heads around creating these blogs, (funny word that) So not all up and running yet.
Ok now for a little treat connected to recycling. Below is a step by step on how to create a lovely plant pot holder out of a plastic carton.
First of all a little bit about my background, interests and skills.
My name is Birdy Heywood, and I am a 'Recycled Teenager' nearing my 70th year. Many of my generation can relate to the phrase, MAKE DO AND MEND. Old clothes were unpicked and made into clothes for the children. Even the food from yesterday was recycled into an invented dish. I suppose we just had to learn to be creative but it was a fun challenge.
In my early twenties I created handbags and clothing out of scraps of leather in order to sell them at markets and to friends. Then followed premature baby clothes made from old T Shirts. This evolved into sweatshirts with applique. After many years Polymer Clay entered my life. "Wow," I thought and realised that I could be really creative. I taught myself how to model, figurines, dragons, fairies and jewellery then went on to teach and demonstrate in schools and at exhibitions all over the country. Polymer Clay is baked (hardened) in an ordinary oven so I could only create smallish things.
Fabric Hardener came into my life and opened a whole new world for me. I found that I could create the bodies out of wire, the heads and hands out of polymer clay then clothe them with natural fabrics. The great thing about the Fabric Hardener I use which is called Powertex is THAT IT IS WEATHERPROOF and can be used for garden ornaments. As I mentioned I love to recycle and with POWERTEX I can do just that. Old canvases can be treated with Powertex to create a whole new work of art. Ok let me list a few things here to wet your appetite: Cardboard boxes can be transformed into plant pot holder, bottles into candlesticks, with a few scraps of material and some wire, one can create a beautiful sculpture, old mirrors can be given a magical face lift, picture frames too and the list goes on.....! I am now honoured to have been chosen as a member of The Powertex design Team. For more info on this fantastic material please visit their website. www.powertex.co.uk
Here as an example of a plant pot holder that was once a plain old cardboard box. At a later date I will post examples with step by steps. Just have to get my head around creating this first ever blog....